Provide a detailed summary of the following web content, including what type of content it is (e.g. news article, essay, technical report, blog post, product documentation, content marketing, etc). If the content looks like an error message, respond 'content unavailable'. If there is anything controversial please highlight the controversy. If there is something surprising, unique, or clever, please highlight that as well:
Title: From AI to cephalopods, a new strain of "nature writing"
Site: newhumanist.org.uk

 
 
 
 Octopuses are having a moment. So are slime moulds and honeybees. Mushrooms are in vogue. After 250 years of humanity (well, some of humanity…) confidently atop the great pyramid of being, we in the west are becoming more aware that we might, perhaps, have company. The ingenuity and inventiveness of the natural world, its complexity and its collaboration, are becoming harder and harder to deny. Some people are even calling it intelligence. 
 Over the last five years, a cluster of books has brought these ideas to public attention. In 2016, Peter Godfrey-Smith published  Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness , in which he argued that “evolution built minds twice over”, and octopuses’ invertebrate intelligence may shed light on what it means for us to be conscious, too. In 2019, Richard Powers’ novel  The Overstory , about eight people’s lives connected through their relationship with trees, won the Pulitzer Prize for Fiction. In 2020, word of mouth lifted Robin Wall Kimmerer’s  Braiding Sweetgrass , published seven years previously, into the  New York Times  bestseller list, for the vision it presented of mutual care and connection between people and plants. That year, Merlin Sheldrake published  Entangled Life , another bestseller, exploring fungi and the “wood wide web” of their mycorrhizal collaboration with plants. 
 This year sees the arrival of two extraordinary books that weave these threads one step further:  Ways of Being: Beyond Human Intelligence , by British artist, technologist and writer James Bridle, and  The Mountain in the Sea , the first novel from American Ray Nayler. One is fiction, the other non-fiction – but they speak to the same themes: intelligence beyond the human, of not just plant and animal varieties, but artificial and technological as well. 
 Ways of Being  sets about “expanding our definition of intelligence, and the chorus of minds which manifest it.” Synthesising the work of ecologists and other scientists, Bridle (who uses they/them pronouns) seeks to explore the “multiple forms of being and doing, of living and thriving, structured across and interwoven between the many branches of the tree, or thicket, of life.” Ultimately, they argue for a “technological ecology” in which our recent creations might not distance us from nature, but instead help us better understand the collaboration and teeming complexity of the natural world. 
 The Mountain in the Sea  is also a story about the meeting of more-than-human minds, encompassing humans, other animals and human technology. In the novel, rumour spreads of an unusual pod of octopuses living on a shipwreck off the Con Dao islands in Vietnam. They’re collaborating, signalling – perhaps even using (can it be?) language. Marine biologist Dr Ha Nguyen, who has spent her whole career researching cephalopod intelligence, is fascinated – and so is transnational tech corporation DIANIMA, which has bought and sealed off the archipelago and parachuted Dr Nguyen in, alongside the world’s first android robot, to find out what is going on. 
 Will the creatures offer unprecedented breakthroughs in artificial intelligence technology? Or do they just want to be left the hell alone? Nayler’s debut is equal parts page-turning near-future thriller and a profound exploration of language, communication and otherness. 
 "Nature" and "technology" are not in opposition 
 Both books are exhilarating and kaleidoscopic. They draw on rich traditions of thought – geography, anthropology, ecology and systems science in the west, alongside older rural and Indigenous traditions of observation and being-in-relation with a place’s inhabitants. But this isn’t traditional nature writing in which “nature” is opposed to “technology”. Quite the opposite. For both authors, artificial intelligences are simply “other minds”, a new human-made branch on the tree of life. 
 As Bridle writes, “We have already learned – from the gibbons, gorillas and macaques – that intelligence is relational: it matters how and where you do it, what form your body gives it, and with whom it connects.” In this spirit, I spoke to both writers to understand the genealogy of these books in personal, as well as intellectual terms. How did the authors open their minds to other minds, and more-than-human worlds? 
 For Nayler, it seems that  The Mountain in the Sea  was a lifetime in the making. “I wrote a report when I was maybe in fourth or fifth grade about octopuses,” he told me. “And then I had spent this time in Vietnam as the environment, science, technology and health officer at the consulate in Ho Chi Minh City, and especially on Con Dao, working on a few different projects.” Through his career in the United States Peace Corps and Foreign Service, Nayler lived and worked all over the world. But he found something exceptional in the remote Con Dao islands, off the southern coast of Vietnam. “I just grew to love that place, this very troubled environment: it’s a national park with a lot of issues with poaching, overfishing and other environmental degradation from the human population. And that place stuck with me as a place that I wanted to set a story.” 
 Why octopuses specifically? “I wanted a first contact story that wasn’t with an alien, but with a species here on Earth. And that wasn’t about finding intelligent life – which is such a misnomer, because I think that wildlife is incredibly intelligent in very different ways – but that was about finding contact with an animal that had a symbolic level of communication, like we do.” 
 While Nayler looks at human-animal communication through science fiction, Bridle draws on a diversity of scientific research. “Humans have spoken to and with animals for as long as we have walked alongside them, which is forever,” they write. One example relates to the Yao people of Mozambique, who forage for wild honey cooperatively with honeyguides – small brown birds who make distinctive calls to get Yao people’s attention, while the Yao vocalise a tongue-rolling “brrrrr-hm” to call the birds in turn. The hunters triple their chances of finding a hive in the forest, while the birds benefit from the hunters’ sharp axes cutting open the tough hives, releasing the nutritious beeswax inside. 
 But it’s not just hunter-gatherers making the effort: computer scientists are, too.  Ways of Being  covers recent research from Google, MIT and the University of Arizona, such as the use of sensors and machine learning to classify patterns in whale song and prairie dog calls, in the hopes of figuring out the principles of their speech. Bridle values this attentiveness to other beings, but reminds us not to limit our aspirations: “Our goal should not be to master their languages, but rather to better understand animals’ lives in context, and thereby to alter our relationships with them in ways which are mutually beneficial.” 
 Nayler’s fictional octopuses might agree. When they finally choose to speak directly to Dr Ha Nguyen, one creature presents itself to her, letting her see the pictograms flashing across its mantle and “pouring through the chromatophores of its skin”. Its message is an insistence on their mutual consciousness. When, later, the octopuses start making physical, writing-like signs, it is not in order to engage further with humanity, but to utter a clear and unexpected instruction: “Fuck off.” They wish to be left alone, their environment and emergent way of life undisturbed. 
 Nayler’s interest in language “came out of my exploration of biosemiotics,” he tells me: Jesper Hoffmeyer’s books  Biosemiotics  and  Signs of Meaning in the Universe  were particular inspirations. “If semiotics is the study of signs and sign systems, biosemiotics takes that and expands it to every single level of life,” Nayler explained. “Biosemiotics is the study of signs at the level of the cellular, all the way up to complex human symbolic communication.” 
 “It’s physical, of course,” Nayler continued, “all sign exchange is physical and occurs in the world,” from the electrical pulses that jolt through a nerve cell, to the pigment sacs that expand and contract in an octopus’s skin. “There’s nothing metaphysical about it. But you can’t really explain life without attending to the exchange of signs and signals processing. ‘Even a cell can process meaning’ is essentially the argument. That doesn’t mean that a cell has a brain, but it means that a cell can take inputs and interpret that input and do something.” 
 It’s an ontological shock: what if the capacity the human has for language, the thing we thought made us special, is not in fact unique to us, but actually something present across many different forms of life? 
 The singing world 
 "More-than-human doesn’t even begin to cover it,” Bridle writes in  Ways of Being . “Not only are we the products of multiple entangled ancestors, spanning vast ranges of the evolutionary field; we are not even individuals at all.” Chapter 3, “The Thicket of Life”, explores one search for the origins of life through unravelling the “internal fossil record” of DNA, RNA and proteins inside our cells. Cells not only signal to each other, Bridle explains, they’re deeply entangled “endosymbionts”. Deep in evolutionary history, scientists theorise, one bacterium engulfed another one and their hybridity became the cellular structures of mitochondria and chloroplasts, which produced the energy enabling complex, multi-cellular life. 
 Bridle’s writing here is joyful, almost delirious: “Frseeeeeeeefronnnng and we all go tumbling down the genetic line together . . . The lichens farm algae and we farm bacteria and each feeds the other, the trees are talking and everyone’s singing.” I am not surprised to read that ayahuasca has been part of Bridle’s journey from London-based technologist to island-dwelling, regenerative-farming exploring, more-than-human thinker. “I have heard a plant speak, and I still don’t fully understand how, nor can I adequately describe the experience, but I know it to have happened, and it changed me utterly.” 
 More-than-human thinking isn’t just about recognising the near-to-human cleverness of certain animals, but recognising agency and interdependent relations across every kingdom of life, from the single-celled extremophiles known as archaeans, to fungi, animals and plants. For both writers, forests have been particularly inspiring environments. 
 Nayler said, “I had a short story a little while ago called ‘Eyes of the Forest’, and there’s a character in there that says, ‘It matters how you see the forest but what matters more is how the forest sees you.’” His years in the Peace Corps in Turkmenistan taught him that communication exists in the space between self and other: not only in the intent of the speaker, but the perceptions and interpretation of the recipient, too. 
 Later on, he came across anthropological writing that brought this idea home. Indigenous Amazonian “perspectivism” is the conception that “the world is inhabited by different sorts of subjects or persons, human and non-human, which apprehend reality from distinct points of view.” Nayler pays homage to this tradition through the book-within-a-book in his novel, Dr Ha Nguyen’s monograph “How Oceans Think” – a reference to anthropologist Eduardo Kohn’s  How Forests Think . 
 For Bridle too, forests provided the germinal moment. “I had a series of encounters where it very much felt like the Universe was kind of knocking on the door and being like, hey, you need to pay attention to these things,” Bridle told me. “The first direct encounter was with Suzanne Simard and her work in the forests of Western Canada. I was completely blown away by the things she explained about the way in which the forest was operating, the way the forests work and the way they live and the way they communicate and share resources.” 
 Simard’s research explores how roots and fungi form a network of communication and resource-sharing between trees. This research inspired Richard Powers’ novel  The Overstory , which was also a catalyst for Bridle, who writes, “As I read it, I felt something shift in myself, a sense of having been blind all my life to events <truncated>