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Title: The unknown language and letters of Hildegard von Bingen (2015)
Site: sites.nd.edu

 Although inventing a language might seem like a purely modern phenomenon,   nearly a thousand years ago, the Benedictine Abbess, lecturer, composer, and visionary, Hildegard von Bingen (1098-1179) created her own language, the  Lingua Ignota . 
 The  Lingua Ignota  can be found about halfway through the Riesen Codex ( Wiesbaden, Hessische Landesbibliothek, Hs. 2, ff 461v-464v ), also called the Giant or Chain Codex, a compilation of Hildegard’s theological writings that were collected near Hildegard’s death. The  Lingua Ignota  can also be found in the manuscript formerly known as the Codex Cheltenhamensis (Berlin, MS Lat. Quart. 674, ff. 57r-62r) (Higley, 145). 
 Apart from a sentence long introduction, the  Lingua  consists of a glossary of around 1000 words arranged hierarchically. Hildegard begins with the words for God and the angels, then proceeds to human beings, other animals, plants, and so on. 
 First page of the “Lingua Ignota”. For each word, the Latin gloss sits above Hildegard’s word. Click on the image to blow it up. (Used with the permission of the Hochschul- und Landesbibliothek RheinMain) 
   
 An inner page of the glossary. For each word, the Latin gloss sits above Hildegard’s word. Click on the image to blow it up. (Used with the permission of the Hochschul- und Landesbibliothek RheinMain) 
 A sample of some of Hildegard’s words: 
 
 Aigonz  – God 
 Aieganz  – Angel 
 Inimois  – Human 
 Korzinthio  – Prophet 
 Peueriz  – Father 
 Maiz  – Mother 
 Sciniz  – Stammerer 
 Kaueia  – Wife 
 Ornalz  – The hair of a woman 
 Milischa  – the hair of a man 
 Pusinzia  – Snot 
 Zizia  – Mustache 
 Fluanz  – Urine 
 Fuscal  – Foot 
 Sancciuia  – Crypt 
 Abiza  – House 
 Amozia  – Eucharist 
 Pereziliuz  – Emperor 
 Bizioliz  – Drunkard 
 Haischa  – Turtle Dove 
 
 There are elements of German (particularly the use of the “z”) and Latin in Hildegard’s vocabulary. There is also German influence in her use of compound words. For example, her word for grandfather is  Phazur  which is   the root of  Kulzphazur,  ancestor. Likewise most of her words for trees end in – buz,  probably “bush”. Sarah Higley also identifies grammatical gender in Hildegard’s words, which roughly corresponds to the gender of those same words in either Latin or German (Higley, 103-4). Finally, her words are intended to be euphonic. When applicable, for example, the final two syallbles of her words form a trochee. This gives her language a bouncy, sing-song feel. 
 Along with her own language,  Hildegard created an alphabet. 
   
 The alphabet is in the left column, beneath the block of text. Click on the image to blow it up. (Used with the permission of the Hochschul- und Landesbibliothek RheinMain) 
 The alphabet shows some possible influence from Greek (or even Cyrillic) in the letter-forms for B, C, and M. The letter-forms for R ,U, X & Y have some resemblance to  Roman Cursive . These letters also have some resemblance to the symbols of the  zodiac . 
 So, why did Hildegard create this language? Although she never explicitly said why, it should not be understood outside of her theology, based in part on the limits of language. As Wittgenstein once said, “The limits of my language define the limits of my world”. If our language is limited, it will hinder our experience and appreciation of the divine. Hildegard’s  Lingua Ignota  thus may be an attempt to redeem our fallen language so that in the world it shapes, the natural holiness of all things (even urine and drunkards) will be manifest. 
 Works Consulted 
 Bingen, Hildegard von.  Scivias . Trans. Columba Hart and Jane Bishop. New York: Paulist, 1990. 
 Higley, Sarah Lynn.  Hildegard of Bingen’s Unknown Language: An Edition, Translation, and Discussion . New York: Palgrave Macmillan, 2007. 
 Mayer, Martin. “The Wiesbaden (Giant) Codex.”  Hochschule RheinMain Landesbibliothek . Hochschule RheinMain Landesbibliothek, n.d. Web. 22 July 2015.